The Artist
Brandon Perlman is a Los Angeles-based film photographer whose work explores themes of luxury, disconnection and the quiet poetry of the human condition.
Early in his career, Perlman worked as a photography editor at DEPARTURES, InStyle and W Magazine, where he crafted visual stories around travel and luxury in the realities of the world post 9/11 and pre-2008 financial crash. As an editor, he adopted a strong point of view and visual language and learned that every composition of elegance conceals an undertone of desire. The more polished the surface, the deeper the echo beneath it.
This background in image-making and media led the artist to shape the early language of influence - uncovering voices, images and visual signifiers that connect people and brands across the digital expanse of social media as Founder and CEO of Social Studies, Inc., one of the pioneering influencer marketing agencies.
Today, Perlman remains a frequent contributor to publications, traversing the globe to capture the spaces between what we choose to display and how we feel. Whether photographing the bustling streets of Paris or exploring a remote town, he examines his subjects with great detail, compelling viewers to witness what remains when the noise of luxury fades, when technology overcomes beauty, when the journey pauses, when we’re left alone with what we’ve seen.
The Approach
Perlman’s vantage point of experiencing the legacy publishing ecosystem evolve towards a digital future positions him to understand and document the human condition as a photographer interested in exploring the vast social architecture of desire, display, attention and connection – all during a moment where the next two decades are marked by the largest generational transfer of wealth in history. It's during this unprecedented moment that his work reveals a universal tension between aspiration and isolation, stillness and chaos, intimate and unreachable, private and profound.
Everything you see was captured on film with either a Leica M6 35mm camera or 1940s Rolleiflex medium format camera. Each image presented exactly as the camera saw it: full frame, unedited, unretouched, unaltered. No cropping, no color correction, no outside interference. No algorithm. No prompt. Just film, light, and an instance that has already passed.
What you are looking at is the moment itself.
Portrait: MK Sadler
Capturing the spaces between aspiration and isolation
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Fine art prints available to discerning collectors